That means when you search for bass sounds, you'll see all the bass sounds in your Ableton library, whether they're samples or instrument presets. Search for your sounds in the Browser without the constraints of Live's built-in categorization. Live’s Mixer also comes with visual improvements that make it more accurate for detailed mixing decisions, and easier to read and control. Toggle it on or off with Mixer View Control located in the bottom right corner or via the View menu, and configure it independently of the Arrangement Mixer. Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. Live 12’s cleaner, more minimal look removes visual complexity and keeps the focus on your music. View your devices and the Clip Editor, or automation and device parameters, at the same time – so you can work without the distraction of switching between views. Capture snapshots of your sets and deploy them later, control multiple parameters with layered macros and curves, extend performances with looping in Arrangement View and pre-arrange the structure of a performance before you have even recorded it. Performance Pack – A set of innovative devices from Iftah that push the boundaries of performing with Live. Dig deep and create layers of decorative, expressive instruments, playful Drum Racks and rich sound effects. Lost and Found – A collection of sounds fashioned from unusual materials, percussive trinkets, unique foley recordings and expressive objects to infuse your productions with character and authenticity. This means you can still adjust the parameter being modulated, even after assigning an LFO or other modulation source to it, opening up faster workflows, more possibilities for performance and continuous real-time control of parameters. Modulation destinations are no longer taken over by the modulation source. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multi-band configurations – and it comes equipped with a feedback generator and an extensive modulation matrix. Plus, you can now capture audio in real time and start manipulating it immediately.Ĭreate everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new colouring and saturation effect. The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. The user interface has been overhauled to enable simultaneous views of arrangement, mixer, devices, and clips.Ībleton has also introduced a new Stack Detail View, enabling users to view devices and clip view at the same time, enhancing workflow and organization.Ī bi-timbral, MPE-capable instrument designed for deep sound shaping that lets you create a wide array of textural and experimental tones with its two easy-to-use macro oscillators. Key features of Live 12 include Generative MIDI, allowing the software to create melodies, rhythms, and chords, Global tuning for key consistency across clips and devices, and support for microtuning and non-western scales. The update also includes new devices such as Meld, a morphing bi-timbral synth, Roar, a multi-band distortion, and Granulator III for sound experimentation. We have the details.Ībleton describes Live 12 as offering "new ways to explore who you are as a music maker," highlighting MIDI Generators for kick-starting melodies and rhythms, along with Transformations for further creativity. The new version introduces several features and enhancements. Users of Live 9, 10, and 11 Standard and Suite can currently access the public Live 12 Beta. Ableton has announced the upcoming release Ableton Live 12, set for official release in early 2024.
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